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• fugue.
• The subject is introduced by a single voice (or instrument) at the beginning of the fugue, then reiterated by each of the voices in turn throughout the fugue in a myriad of combinations and transformations. ... For some portion of the fugue, the subject may be absent (episode). ... double fugue). ... While a fugue is a kind of counterpoint, not all counterpoint is a fugue. Composing a coherent and satisfying fugue is a high art.
• Because of a basic formal organization common to most fugues, a fugue is often considered a form. ... Nonetheless, fugue is better regarded as an aspect of texture, a process or a procedure. Even so, a fugue is a class, kind or type of musical composition, and the word fugue is often part of the composition's title (much like the word "symphony"). In this sense, fugue can be considered a musical genre. Most often, a fugue in joined with a prelude establishing a two-movement entity.
• The fugue has a very old and continuous history in Western music going back to the Renaissance. Though it is most commonly associated with Baroque era and the masterpieces of Johann Sebastian Bach, the fugue has remained active in Western art music ever since (e. ... Though not complete and independent fugues, many classical compositions feature a section with the texture and drama of a fugue known as fugato. A vivid grasp of the fugue is essential for deeply appreciating many of the great masterworks since 1600.
• The greatest and most accessible examples of the fugue are undoubtedly the set of 48 written by Bach and published in two books known as The Well -Tempered Claiver.

• The Art of Fugue Did Bach intend Art of Fugue to be performed?.
• Bach's contemporaries regarded Art of Fugue to be a practical work - one that would be both studied and played. ... Bach's advertisement announcing the first edition in 1751 mentions that Art of Fugue had been"arranged for use at the harpsichord or organ. " Yet until recent decades it has been assumed that Bach intended Art of Fugue as a theoretical work only. ...
• Part of the reason is that the fugue fell out of favor, beginning even in Bach's own lifetime. ... Bach was really the last exponent of the fugue and, after his death, the form virtually died with him. Art of Fugue met with so little response that the copper engraving plates were sold as scrap. ...
• Bach's music - and with it the fugue - languished in obscurity for nearly a century. ... Art of Fugue, however, was still regarded as too abstruse. ...
• The notation system Bach used in composing Art of Fugue led many to believe that the work was merely theoretical. ... Ability to play from open scores died out in the 19th century and this, combined with the fact that two movements (mirror fugues XII and XIII) are not playable by one person at a keyboard, seemed to further confirm that Art of Fugue was"eye music" only. ...
• Next: Is Art of Fugue a keyboard work?.
• 1 Mozart transcribed a number of Bach fugues for string trio, including pieces from The Well-Tempered Clavier and Contrapunctus VIII from Art of Fugue. The Kyrie from Mozart's Requiem is also a fugue. ...

• FUGUE: FMRIB's Utility for Geometrically Unwarping EPIs - User Guide.
• FUGUE Version 2. ...
• This document gives a brief description of the various command line programs available in the FUGUE component of FSL - used for unwarping geometric distortion in EPI images. ...
• Additional options that are useful are: -m mask uses the user defined mask -n num specifies the number of phase partitions the algorithm uses for labelling - a larger value is likely to be more robust but slower -s unwrap in 2D, then stick slices together with appropriate offsets - this is less robust but fast - mainly used for very high-resolution images where speed is an issue --labelslices does labelling in 2D, but unwrapping in 3D - the default for high-res images FUGUE.
• fugue (FMRIB's Utility for Geometrically Unwarping EPIs) performs unwarping of an EPI image based on fieldmap data. ...
• The main forms of usage are: fugue -i epi -p unwrappedphase -d dwelltoasymratio -s 0. 5 -u result fieldmap specified by a 4D file unwrappedphase containing two unwrapped phase images - a symmetric and an asymmetric spin echo - plus the ratio of dwell time to asymmetric spin echo time fugue -i epi --dwell=dwelltime --loadfmap=fieldmap -u result uses a previously calculated fieldmap .
• Some other uses are: fugue -p unwrappedphase --asym=asymtime --savefmap=fieldmap -s 0. 5 computes the fieldmap, applying some regularisation - useful for seeing the fieldmap and the effect of regularisation fugue -i undistortedimage -p unwrappedphase -d dwelltoasymratio -s 0. ...

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• Bach/Stokowski: Toccata and Fugue in D Minor.
• Toccata and Fugue in D Minor for Organ, BWV 565, arranged for orchestra by Leopold Stokowski, 1882-1977. ...
• One of the best-known works of this period is the Toccata and Fugue in D Minor, a passionate, almost maniacal piece that seems more at home in late-night horror movies (where it has often been quoted) than in the dignified confines of a church organ loft. ...
• The handsome and popular young man so thrilled audiences with his performances of Bach's works that one listener described herself as ``shattered'' by his rendition of the Toccata and Fugue in D Minor. ...
• It was inevitable that he should turn to his favorite piece of all, the Toccata and Fugue in D Minor. ...
• It was Bach's inspiration to combine a toccata with a following fugue, a tightly-structured form in which a theme is developed in different keys so that it harmonizes with itself (like the rounds we sang in grade school, but far more complex). In the current work, the theme of the fugue is based on the first few notes of the toccata, opening in the violins and gradually moving throughout the orchestra before the toccata itself returns for a grand finale. ...

• The Art of Fugue July, 2000.
• Did Bach intend Art of Fugue to be his"last will and testament"? .
• Did Bach really leave Art of Fugue unfinished? .
• Did Bach intend Art of Fugue to be performed? .
• Is Art of Fugue a keyboard work? .
• What is a fugue? View scores and hear audio clips of the various types. ...
• Michael Ferguson writes about completing Bach's fugue .
• Yet no piece has engendered so much controversy as Art of Fugue, Bach's definitive exploration of the art of fugal counterpoint. ...
• Bach and the fugue have become so closely associated that Art of Fugue, as Bach's ultimate statement on the subject, commands great interest in and of itself. ... Written in Bach's last years, while he slowly went blind, Art of Fugue trails off unfinished in the climactic four-part fugue which would have crowned the work as well as his career. ...
• When did Bach actually write Art of Fugue? Did he intend it to be played and listened to for pleasure, or is it an"abstract" work of interest only to music scholars? Did Bach's failing health account for the unfinished movement, or is it Bach's idea of a musical puzzle? The issues are far from settled. ...

• COMPOSING A SIMPLE FUGUE  .
• Together, the two collections form an excellent compendium of nearly all the common techniques and procedures of simple fugue writing. ...
• While most texts on fugue are of broader scope than this one, readers of this guide will enjoy the economy of having all the illustrations in just two sources. ... Exercises are suggested within and at the end of the text, which also includes a full analysis of a simple four-voice fugue and an outline of analytical procedure. ...
•   To read an excerpt from "Composing a Simple Fugue" .
• To order "Composing a Simple Fugue".

• The Art of Fugue (ALSQ).
• THE ART OF FUGUE, BWV 1080 .
• Die Kunst der Fugue .
• "Sebastian Bach could express in fugue or canon all the emotions that have ever been worthily expressed in music. ...
• This rendition of The Art of Fugue is very interesting for many reasons. ...
• The Art of Fugue starts slowly but its ingenuity comes in many forms, from the individual writing to the combination of parts which have to be brought out against the background of the others. ... While the work may figure out on a basic musical idea, the genius of Bach is clearly displayed - and he demonstrates why he is the father of the Fugue. ...
• Another interesting aspect of this performance is the complete clarity of the voices - this will be greatly admired especially if one is a student of the fugue. ...
• The Art of Fugue is perhaps not really meant to be heard in its entirety (or perhaps that isn't even a consideration at all). ... One needs to look at their qualities as compositional structures, evolving new dimensions with each fugue. ...
• Many believe that The Art of Fugue was the last work that Bach composed although Tom Koopman, the well-known Bachian exponent, does not believe so. ...
• Many of us, I think, would still like to know how The Art of Fugue would have ended if indeed it was completed. Koopman adds that The Art of Fugue was already displaying signs of 19th century writing, which was also the case with some of the composer's other works at the time. ... For The Art of Fugue there is an elusive dimension as well, in that it is uniquely private and very meditative. ...
• The Art of Fugue is considered by many a mathematical work of art. Carl Philipp Emmanuel Bach describes The Art of Fugue as the "most perfect example of applied fugal technique". In 1774, Kirnberger wrote "the Art of Fugue is more difficult in the entire science of compositions than this, each of the four voices have not only its own fluent melody, but all of them have a uniform character which is maintained so that in their union, a single perfect whole is created". ...

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• Fugue in Eb, Br II:12 1:59 A cheerful little fugue subject with occasional syncopations. ... It ends with a pedal point and final statements of the fugue subject in alto and soprano voices. ...

• Fugue on the Magnificat, BWV 733 4:11 For full organ and pedal, which takes a long time to come in, but is worth the wait. ...

• Bach’s Fugue XV from WTC I.
• The definition of a fugue is anything but concrete. ...
• Perhaps a better way to look at the meaning of fugue is to trace the term back to its linguistic roots. The root of the word fugue in Latin is “fuga,” which means “flight” or “escape. ...   The word “fugue” can also be traced to the German verb, “fugen” meaning “to assemble” or “to put together meticulously. ...
• Fugue XV in G major from Book I of the Well Tempered Clavier by Johann Sebastian Bach can aptly be described by the latter linguistic link.   Bach took great care when composing this fugue, keeping an overall formal idea in mind. ...
• Rectus and inversus is the overall formal idea in this fugue. ... The Art of Fugue is representative of Bach’s fascination with formal possibilities and Fugue XV is, “designed formally around the possibilities for development in rectus and inversus forms. ...
• An emphasis on balance between the amount of rectus and inversus material is evident in Fugue XV. ...
• This piece is in G major and is a three-voice fugue. ...
• Fugue XV is in three-part form, as there is an exposition, a development and a closing section. ...
• The exposition of Fugue XV encompasses mm. ...
• Subject of Fugue XV.
•   Fugue XV contains a bridge (mm. ...
• The carefully planned episodes are an important feature of this fugue.   The subject material of Fugue XV is carefully planned around rectus and inversus, while the episodes are planned around the leaping motive. ... The comparison of this fugue to rondo form may be extreme for some analysts, as there are several problems, such as the fact that the subject material is not restated exactly at each entry. ...

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