Art of Possibility, The : Transforming Professional and Personal Life A Generous Orthodoxy: Why I Am a Missional, Evangelical, Post/Protestant, Liberal/Conservative, Mystical/Poetic, Biblical, Charismatic/Contemplative, Fundamentalist/Calvinist, Anabaptist/Anglican, Methodist, Catholic, Green, Incarnational, Depressed-yet-Hopeful, Emergent, Unfinished CHRISTIAN Healing Back Pain : The Mind-Body Connection The Courage to Teach : Exploring the Inner Landscape of a Teacher's Life Healing After Loss: Daily Meditations For Working Through Grief Nuts! Southwest Airlines' Crazy Recipe for Business and Personal Success Autobiography of Malcolm X Why Do Catholics Do That? Dr. Susan Love's Breast Book

• originary thinking: elements of generative anthropology.
• Since 1981, the professor of French at UCLA has published four books of altogether more than a thousand pages on the need for and the theory of generative anthropology. ... In the first part, Gans offers "a general introduction"(vii) to generative anthropology and a description of its method, "originary analysis. ... A critical appraisal of Originary Thinking entails a general discussion of generative anthropology as well as an analysis of Gans's total narrative that unfolds over the course of all four of his books on the topic.
• On the other hand, generative anthropology for Gans amounts to more than just another set of tools that could supplement the plethora of methods within the human sciences. ...
• In fact, as far as the genealogy of syntax is concerned, Gans's generative perspective offers a most relevant critique of ordinary language philosophy. ...
• Nevertheless, the declarative is assigned a special function in Gans's generative frame as well, but for diametrically opposed reasons. ...
• Since generative anthropology is itself an authoritative narrative, it comes as no surprise that Gans rejects the narrative's reduction "to a mere accident of textual substance"(101). ...
• For a generative theory of cultural forms in the West, the Greek example has more to offer than the "narrative monotheism" of the Jews.
• In other words, now that the end of art is reached, the time has come for generative anthropology. ...
• From what standpoint does Gans proceed? Does he not posit himself, rather safely, at the precise moment when a new universal theory of the human sciences -- and of the human in general -- comes to itself? Does he not claim that the ontological continuity between the scene of originary representation, subsequent representations and meta-representations (as in the representations of representations in logic) can be only grasped under the perspective of his generative anthropology?.

• Generative Art / Software Art.
• Now, at last, an introduction to Generative Art and Software Art, .
• The development of 'Generative Art' as a category contextualises pattern-based or rule-based artwork in a tradition that is as old as ornament itself, and stretches it into what has been called 'information culture' where artists employ the processes and alogrithms of software to do their aesthetic neo-carpet weaving for them. ...
• This list is a very subjective survey of some of my favorite bits of Software/Generative art (ie. ...
• generative. ...
• generative. ...
• about:- Generative Art portal/list - the place to go and talk / think / learn about generative art. ...

• or, The Authorship of Generative Art .
• This paper argues that to create 'generative' systems is a rigorous and intricate procedure. Moreover, the output from generative systems should not be valued simply as an endless, infinite series of resources but as a system. ...
• When a programmer develops a generative system, they are engaged in a creative act. ...
• When a programmer develops a generative system, they are clearly engaged in a creative act but what kind of process is being executed? An artist makes creative decisions to produce a final artwork, yet it would be futile if these decisions were the same every time. In this sense, the focus of creating generative art is not trying to achieve a balanced output, but to capture these decisions as logical structures. ...
• A great deal of generative art appears to focus on giving the computer some limited form of intelligence so that these decisions can be made, either through the use of neural networks or reference-based systems. ...
• Generative creativity .
• Clearly the production of generative systems through this precise execution of decisions (and not actions) is a rigorous and intricate creative procedure. Moreover, the output from generative systems should not be valued simply as an endless, infinite series of resources but as a system - and not just any system, but a social system. ...
• Many generative systems rely upon creating autonomous systems which can, to a limited degree, be aware of their surroundings, and therefore respond to their environment. ...
• This has clearly changed but the auto-generative art-machine relies on its code, and as much as generating a deferral of authorship is still encoded and authored in itself. ... Indeed, where does generative art generate from and under what conditions? There is a danger of excluding the possibility of the human subject as a potential agent of change in these scenarios. ...

• exploring a generative design approach.
• Conference paper, presented at Generative Art ´98.
• There is no interaction or generative process involved here. ...
• I am sorry to inform you that the fake banners were designed before the real Generative Art ´99 was scheduled. ...

• Generative Grammar in Geneva (GG@G), Volume 2, 2001.
• GG@G is published by the Generative Grammar Group of the Department of Linguistics of the University of Geneva. Its aim is to publish reports of ongoing research by members of staff and advanced students at the University of Geneva and at associated universities in the domain of generative grammar. ...

• GENERATIVE ART.
• Generative art method represents one of the top-level approaches in the area of artificial creativity. ...
• My approach could refers to: generative art, algorithmic art, random art, software art, artificial art, mathematical art, cellular art, fractal art. ...
• AUTHORSHIP OF GENERATIVE ART.
• Who is the author of generative art is a frequently discussed item: is it the author of the program code, the computer, the program or the person who starts generative process ? (. ...
• GENERATIVE PROGRAM - HOW IT WORKS (generative collage).
• To see how generative program works, creating automatically unpredictable and never repeatable pictures, run (or download) demo program from here.

• JOHN EACOTT - using software (like supercollider) and hardware (like the trumpet) to make 'hummable' generative music he asks 'Will algorithmic approaches replace purely recorded sound?'.
• 13/7/02 - Live dance performance with Rikke Sundberg with John Eacott performing live generative and responsive instruments at Docklands Festival.
• 21/5/02 Informal produce a generative jingle package for the Resonance FM show, Diffusion 104. ...
• 22nd April, 6pm - CARTE lecture: 'Encoding & Performing: generative sound and music' Portland Hall University of Westminster little tichfield st. ...
• Live interactive, generative music and web jamming featuring:.
• on 13th Dec 2001 at the 4th Generative Art Conference and on 18th Dec 2001 at the CyberSalon, ICA, London. ...

• com abstract, algorithmic, cellular automaton, generative, random and software - art .

• Signwave Auto-Illustrator is an experimental, semi-autonomous, generative software artwork and a fully functional vector graphic design application to sit alongside your existing professional graphic design utilities. ...
• Use it to explore a wide range of generative and procedural techniques in the production of your own graphic designs. ...

• Generative Linguistics in Poland.
• "Generative Linguistics in Poland" (GLiP) is a series of conferences on various aspects of generative linguistics, created and organised by Piotr Banski (University of Warsaw) and Adam Przepiorkowski (Institute of Computer Science, Polish Academy of Sciences).
• The primary aim of GLiP meetings is to bring together (i) Polish generative linguists, (ii) generative linguists working in Poland, as well as (iii) generative linguists working on Polish. These categories are given a priority simply because it is rather hard to talk about any sort of 'generative circles' in Poland, and we would like to help change this situation. ...

• Some projects mostly deal with generative art where the software is in control of the process that creates graphics from existing pictures. ...

• generative art subcategories:  > algorithmic audio (6)  > algorithmic design (3)  > algorithmic image (14)  > algorithmic multimedia (6) three projects in this top-level category Wirescapes 1. ...

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