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• Books : Piety, Fraternity and Power : Religious Gilds in Late Medieval Yorkshire, 1389-1547 .
• Piety, Fraternity and Power : Religious Gilds in Late Medieval Yorkshire, 1389-1547 by: David J. ...
• The author begins by discussing the evidence for Yorkshire gilds in the late fourteenth century, moving on to survey the changing distribution, development, and membership of fraternities throughout the county over the next century and a half. Special attention is given to the ways in which the religious gilds of Yorkshire interacted with town government, with clerical bodies, with occupational organisations, and with one another, illustrated with detailed case-studies of the gilds of Corpus Christi, York, and St Mary in Holy Trinity, Hull, which are particularly well-documented. The final section of the book deals with the decline and disappearance of religious gilds during the Reformation, showing how their devotional purposes were eroded by the new policies of central government and how many gilds anticipated their official dissolution. ...

• Gazetteer of the Religious Gilds and Services of Late Medieval Yorkshire.
• Crouch, Piety, fraternity and power: religious gilds in late medieval Yorkshire: 1389-1547, (D. ...
• Within each location, gilds and services also appear in alphabetical order. General bequests, where individual gilds and services are not specified, are placed at the beginning, and unnamed gilds and services at the end of each entry. Within sections dealing with individual gilds and services, references appear in chronological order. ...
• Further information on gilds in the historic county of Yorkshire, including the supply of new references to recorded fraternities and the discovery of new gilds, is welcome. ...

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• The gilds and companies of London.
• The gilds and companies of London / George Unwin ; with a new introd. ...

• When Morning Gilds the Skies: Hymns of Heaven and Our Eternal Hope (Great Hymns of Our Faith, Bk. ...
• Edifying Spectacle / Book / When Morning Gilds the Skies: Hymns of Heaven and Our Eternal Hope (Great Hymns of Our Faith, Bk. ...
• When Morning Gilds the Skies: Hymns of Heaven and Our Eternal Hope (Great Hymns of Our Faith, Bk. ...
• When Morning Gilds the Skies: Hymns of Heaven and Our Eternal Hope (Great Hymns of Our Faith, Bk. ...

• 10b Craft Gilds Alison Weyman .
• The formal organisation of the numerous trades into craft gilds was largely a phenomenon of the fourteenth and fifteenth centuries, however many had earlier roots. ...
• The members of the early craft gilds had a monopoly of their craft within a town, headed by their own officer. ...
• Craft gilds were more prevelant in towns where economic activity was highly diverse and the various occupation groups were large enough. There were always potential grounds for conflict between municipal authorities and crafts as the gilds were self regulating and sought to extend their powers of self-regulation to the advantage of their members. ...
• Moreover, the municipalities largely domesticated the gilds, and gild ordinances needed the sanctioning by the town authorities, alongside gild officers having to be presented to and sworn before the officers of the municipality. ...

• GROSS, CHARLES A Bibliography of British Municipal History, Including Gilds and Parliamentary Representation.

• Trinity Hymnal #167  When Morning Gilds the Skies  .
• When morn-ing gilds the skies, my heart a-wak-ing cries: .

• home - more scenic traditional art - more art by Peter Wileman - The rising sun gilds the eastern sands with it's celestial alchemy .
• The rising sun gilds the eastern sands with it's celestial alchemy .
• Quoting reference: Peter Wileman - The rising sun gilds the eastern sands with it's celestial alchemy - dm-ZWIE014 .
• Peter Wileman - The rising sun gilds the eastern sands with it's celestial alchemy .

• Incidentally, many gilds stipulated that it members were to provide their apprentices with new clothes once a year, usually at Easter. ...
• The candidate for the rank of master usually created as fine an example of the gilds product as his ability allowed. ... If you will remember that the first universities were actually gilds and will note that universities are quite slow to change in any fundamental aspect, you will recognize that the presentation of a thesis by a candidate for a Master's degree and his examination on that piece of work is a continuation of medieval gild practice. ...
• Gilds also carried the statues of their patron saints in the religious processions that were once major events in urban life (and still are in cities such as Valencia and Sevilla in Spain). ...
• Local government was taken over by town councils composed of representatives of the city's major gilds. ...
• Over time however, urban gilds - particularly in Italy gave up fighting in the field in favor of hiring mercenary armies to do their fighting for them. ...
• Often enough, a gild would sponsor an event, such as a play, and some gilds had the tradition of presenting their own plays to the public. The origin of modern Western drama is intimately connected with the medieval gilds. ...
• Throughout the 12th and 13th centuries, gilds and individual gild members (and their sons and daughters) took responsibility for combatting these social evils. Gilds soon subsidized or even directly operated such charitable institutions as: .
• After 1250, economic expansion slowed and the gilds had to face new and competitive conditions. The reaction of the masters of many gilds were .
• to take over work of smaller gilds .
• A significant portion of the profits of the gilds was diverted to providing social services, but the major limitation of the system was that it was based upon a number of small businesses and thus could not develop any efficiency of size. Although the gilds could pool capital, they could not permit a few individuals to accumulate enough capital to establish large and "rationally" organized enterprises. ...
• They did so by producing their own goods, by-passing the gilds. ...

• GILDS: Thesaurus Entry, Synonyms and Antonym.

• On assessing the role of Gilds in the development of religious drama in the later Middle Ages.

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